| Foster the People | |
|---|---|
Foster the People at the 2011 MuchMusic Video Awards, from left to right: Pontius, Foster, and Fink |
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| Background information | |
| Origin | Los Angeles, California, USA |
| Genres | Indie pop, indie rock, indietronica, indie dance, neo-psychedelia[1] |
| Years active | 2009–present |
| Labels | Startime International/Columbia |
| Website | www.fosterthepeople.com |
| Members | |
| Mark Foster Cubbie Fink Mark Pontius |
|
Foster the People is an American indie pop band formed in Los Angeles, California in 2009.[2][3] The group is composed of Mark Foster (vocals, keyboards, piano, synthesizers, guitar, programming, percussion), Cubbie Fink (bass and backing vocals), and Mark Pontius (drums and extra percussion).[4] The group's music, described as melodic dance-infused pop and rock, spans many genres.
Foster founded the band in 2009 after spending several years in Los Angeles as a struggling musician and working as a commercial jingle writer. After Foster wrote the song "Pumped Up Kicks", which became a viral success in late 2010, the group was signed to Columbia Records' imprint Startime International and gained a fanbase through small club shows and appearances at the music festivals Coachella and South by Southwest. After releasing their debut album Torches in May 2011, "Pumped Up Kicks" became a crossover hit on commercial radio in mid-2011, reaching number one on Billboard's Alternative Songs chart, number three on the Rock Songs chart, and number three on the Billboard Hot 100, while charting on the Adult Top 40 and Mainstream Top 40 charts.[5]
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While attending high school in Cleveland, Mark Foster—the group's lead singer and primary songwriter— was matched to the Air Force by a vocational aptitude test. However, Foster hesitated at the prospect of fighting in the War in Iraq. At his father's encouragement, after graduating, Foster moved in with his uncle in Sylmar, Los Angeles in California to pursue a music career. Foster worked various odd jobs and at night, he began to attend parties in Hollywood in an attempt to network. He said, "I felt like an 18-year-old Hunter S. Thompson. I was just diving into this Hollywood Hills subculture and taking it all in. I wasn't shy about taking my guitar out at a party. I wanted to be the center of attention."[6] At one time, he roomed with actor Brad Renfro.[7] Foster struggled with drug addiction during his initial years in Los Angeles, saying, "It got pretty dark. My friends thought I was going to die. I was blind to it. When I was 19 years old, it got to a point where I said, 'Enough is enough'... I saw time was just passing me by. I wasn't being productive."[8]
Several attempts at founding a band proved unsuccessful. After turning 22, he says he was contacted by Aftermath Entertainment about showcasing his musical talents, but the opportunity ultimately fell through. For the next few years, Foster worked at a cafe while dealing with writer's block, but he remained in Los Angeles after landing a job as a commercial jingle writer for Mophonics.[6] He said of the profession, "I definitely learned from the commercial standpoint what works",[8] and he credited the job with reviving his confidence in performing.[6] The music Foster wrote spanned a wide range of genres, but he had difficulty reconciling his eclectic compositions. He explained: "I'd write one song and it'd be a hip-hop song. I'd write another and it'd be heavily electronic. Another would be like a spiritual, and another would be classic piano song. I was constantly trying to pull those elements together. It took me six years to do it."[8] He still wished to be part of a group; reflecting on a residency he did at a venue performing electronic music, he said, "It was just me and a laptop. Really, it was terrible. I knew I needed a band."[6]
Foster the People was born out of a nascent relationship with drummer Mark Pontius, who left his group Malbec in 2009 to make a band with Foster. Pontius was impressed by the amount and diversity of songs that Foster had written to that point, saying, "Some were on the guitar, and some were on the computer. But it was this really awesome singer-songwriter thing with a tricked-out beat, and I felt we could go wherever we wanted with this." Foster's long-time friend Cubbie Fink joined the group soon afterwards as bassist.[6] Mark Foster originally named the band Foster & the People, but people misheard it as "Foster the People". Eventually, he took to the nurturing image it evoked of "taking care" of people, so the name stuck.[7]
Not long after the group formed, Foster wrote and recorded a song at Mophonics called "Pumped Up Kicks", a song that was the group's breakthrough. It appeared on the website supergoodmusic.com in early 2010,[6] and after Foster posted the song on his own website as a free download, it drew the attention of Nylon magazine, who used the track in an online advertising campaign.[9] The song continued to receive attention through various blogs and soon became big. Foster was emailed by many people about "Pumped Up Kicks", and needing professional guidance, he contacted artist manager Brent Kredel at Monotone, Inc. in March, saying, "Everyone is calling me and emailing me—what do I do? Who are the good guys, who are the bad guys?" Kredel recalled that "He went from the guy who couldn't get a hold of anyone to being the guy who had hundreds of emails in his inbox." Kredel and Brett Williams were subsequently hired to co-manage Foster the People, and they helped the group get meetings with several record labels, including Warner Bros., Atlantic, Columbia, and Universal Republic. In May 2010, the band was signed to the Columbia imprint Startime International by Isaac Green in a multi-album deal. The deal did not involve ancillary rights, which pleased the band and their management. Foster controls publishing of the songs in North America, while a separate 2010 deal with Sony/ATV Music Publishing controls publishing outside of North America.[9]
After Foster the People signed their record deal, Kredel said, "The focus was to stop everything and not work on any marketing or touring, but to make an album that backed up 'Pumped Up Kicks.'" Wishing to avoid burnout, Startime allowed the group to pace themselves and not rush an album that would cash in on the popularity of the song. Green said, "You can't control everything, but you can be meticulous about the music." The group spent July–September 2010 writing material that would appear on their debut album, and chose Paul Epworth, Rich Costey, and Greg Kurstin to co-produce the record with Mark Foster.[9] In September, "Pumped Up Kicks" was released as the group's debut single.
The fledgling group had yet to acquire much experience as a live act, and as a result, in October 2010, booking agent Tom Windish secured them several club shows "to help them get their sea legs." This proved difficult, as concert promoters were hesitant to book a group that had no previous touring experiences. Foster the People promoted these concerts by emailing fans who had downloaded "Pumped Up Kicks" from their website, notifying them of the shows. In early 2011, Windish convinced booker Paul Tollett to allow the band to perform in much sought-after tent at the Coachella Valley Music and Arts Festival in April. Meanwhile, the group continued to grow its fanbase with a month-long residency of concerts in January at The Echo nightclub in Los Angeles. By the group's third show at the venue, according to Windish, "there were hundreds of people trying to get in outside... It was an obvious turning point that could be measured in numbers." The residency also drew the attention of music supervisors in attendance who would later help the group license their music.[9]
Foster the People issued its first commercial release in January 2011, a self-titled EP featuring "Pumped Up Kicks", "Houdini", and "Helena Beat" that was intended to hold fans over until their first studio album, Torches, was completed. Fans who purchased the EP through the iTunes Store were able to apply it towards the purchase of their full-length debut album. The EP drew the attention of organizers of March's South by Southwest music festival, as well as executives looking to license music for upcoming season finales of television series. Columbia senior director of creative licensing Jonathan Palmer said, "The plan helped us a great deal to set up more opportunities rather than chasing the release date. So by the time we put the record out in May, we had already placed several songs." Half of Torches' songs were licensed—among them are: "Pumped Up Kicks" (Gossip Girl, The Vampire Diaries, Friends with Benefits, Entourage), "Houdini" (Gossip Girl); "Helena Beat" (The Vampire Diaries); "Don't Stop (Color on the Walls)" (Suits, Nissan Motors commercial); and "Call It What You Want" (FIFA 12). Palmer commented, "I haven't seen this kind of a range of song licenses from one album since we worked the first Ting Tings record three-and-a-half years ago. That was an album where we licensed nine or [all] 10 songs on the album. We're kind of in a similar situation [with Torches]."[9]
Beginning in January 2011, many alternative radio stations began playing "Pumped Up Kicks", including Sirius XM satellite radio's Alt Nation channel and Los Angeles terrestrial stations KROQ-FM and KYSR.[9] Mark Foster credits Sirius XM's airplay with the song's success, saying, "Alt Nation played our music before any other radio outlet in the country."[10] On January 29, the song debuted on Billboard's Rock Songs chart and a week later, it debuted on the Alternative Songs chart. In May, the track debuted at number 96 on the Billboard Hot 100, and later that month, the group released their first full-length studio album, Torches. The success of "Pumped Up Kicks" and appearances on many late-night talk shows, including Last Call with Carson Daly, The Tonight Show, Jimmy Kimmel Live!, and The Late Late Show with Craig Ferguson, helped the record debut at number eight on the Billboard 200.[9] To promote the album, the group staged a concert tour in the US and Europe, with most dates sold out.[6]
"Pumped Up Kicks" proved to be a crossover hit, peaking at number three on the Rock Songs chart in July and number one on the Alternative Songs chart in June, while breaking into the top 40 of the Hot 100 in late July and appearing on the Adult Top 40 and Mainstream Top 40 charts. Columbia senior VP of promotion Lee Leipsner said, "It was one of the only alternative bands I remember in a while that you could actually dance to. And the fact that the record has a groove and rhythmic feel to it—not heavy guitar-based at all—gave us a wide opportunity to cross the record." He credits the song's crossover success and push into the top 40 to a June presentation of new music by Clear Channel president of national programming platforms Tom Poleman. According to Leipsner, "After we showed our presentation, we had so many Clear Channel major-market programmers come up to us and say, 'The record I want to play besides Adele is Foster the People.'" "Pumped Up Kicks" peaked at number three on the Hot 100, spending eight consecutive weeks at the position. According to Nielsen Soundscan, over 321,000 copies of Torches have been sold in the US, and over 2 million digital copies of "Pumped Up Kicks" have been sold, making it the 25th-highest-selling digital song of 2011.[9]
The band was named in a lawsuit filed by Brandon Dorsky on May 24, 2011 for breach of contract and other claims.[6] The case was settled for an undisclosed amount in July 2011.
Foster the People appeared as the musical guest on the October 8, 2011 episode of Saturday Night Live, playing "Pumped Up Kicks" and "Houdini". Kenny G appeared as a guest performer on the latter song.[11][12]
Two live musicians, Sean Cimino (guitar, keyboard, synthesizer, and backing vocals) and Isom Innis (keyboard, synthesizer, piano, maracas, percussion, and backing vocals), also tour with the band.[13] Cimino is credited with guitar on the track "Waste" from the album Torches, while Innis's role in the album is unknown or possibly uncredited due to limited contributions on the album.[14] Zach "Reazon" Heiligman (sampler, MPC (Music Production Center), programming, digital percussion, SFX, other production, minimal backing vocals) appears to have been a member of the band until early 2011; however, he shares co-writer and additional production credits on "Miss You" with Mark Foster, suggesting that Heiligman may play a more behind-the-scenes role now in production of certain tracks during studio sessions rather than in live shows. Heiligman, an MC and songwriter, is a close friend of Mark Foster as well and worked with him on a Hip-Hop project during periods before and during the formation of Foster the People.
| Title | Album details | Peak chart positions | Certifications | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [15] |
US Alt [15] |
US Rock [15] |
AUS [16] |
CAN [15] |
IRL [17] |
NZ [18] |
NL [19] |
SWI [20] |
UK [21] |
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| Torches | 8 | 1 | 1 | 9 | 7 | 13 | 27 | 53 | 61 | 24 | ||
| Title | EP details |
|---|---|
| Foster the People |
|
| Single | Year | Peak chart positions | Certifications | Album | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US [15] |
US Alt [15] |
US Rock [15] |
AUS [26] |
CAN [15] |
CAN Alt [27] |
GER [28] |
IRL [29] |
NL [19] |
NZ [30] |
SWI [20] |
UK [21][31] |
||||
| "Pumped Up Kicks" | 2010 | 3 | 1 | 3 | 7 | 3 | 1 | 9 | 11 | 35 | 6 | 17 | 18 | Torches | |
| "Call It What You Want" | 2011 | — | — | — | — | — | — | — | — | — | — | — | 176 | ||
| "Don't Stop (Color on the Walls)" | 2012 | 108 | 14 | 20 | — | — | 16 | — | — | — | — | — | — | ||
| Single | Year | Peak chart positions | Album | ||||||
|---|---|---|---|---|---|---|---|---|---|
| US [15] |
US Alt [15] |
US Rock [15] |
AUS [26] |
CAN [15] |
CAN Alt [34] |
NL [19] |
|||
| "Helena Beat" | 2011 | 121 | 9 | 15 | 74 | 70 | 1 | — | Torches |
| "Houdini"[35] | — | — | — | — | — | — | 98 | ||
| Title | Year | Director |
|---|---|---|
| "Pumped Up Kicks" | 2011 | Josef Geiger[36] |
| "Helena Beat" | Ace Norton[37][38] | |
| "Call It What You Want" | ||
| "Don't Stop (Color on the Walls)" | Daniels[39] | |
| "Houdini" | Josef Geiger |
| Year | Award | Work | Nomination | Result |
|---|---|---|---|---|
| 2011 | MTV Video Music Awards | Foster the People | Best New Artist | Nominated |
| "Pumped Up Kicks" | Best Rock Video | Nominated | ||
| Q Awards | Foster the People | Best New Act | Nominated | |
| "Pumped Up Kicks" | Best Track | Nominated | ||
| SharkOne Awards | Foster the People | New Artist of the Year | Won | |
| 2012 | 54th Grammy Awards | "Pumped Up Kicks" | Best Pop Duo/Group Performance | Pending |
| Torches | Best Alternative Album | Pending |